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Especially for Teachers - About English


Rationale
 

Tasmanian Statement on English
The categories of learning in English
Perspectives on English teaching have shifted over time
The five perspectives on English Teaching in Tasmanian schools
A workshop activity - auditing the curriculum using the five perspectives on English teaching

The Tasmanian Statement on English

The field of English is intimately concerned with language and imagination. English is about making meaning through interaction with and reflection on texts, language, people and the world.

Developing proficiency in English enables students to become critical, imaginative and reflective thinkers, effective communicators and active, lifelong learners. By engaging with, analysing and composing a diverse range of texts, students develop increasing control over the cultural, social and technical dimensions of language. Today’s English classroom reflects the changing nature, contexts and uses of texts in an increasingly globalised world.

Text is any communication involving language and can be written, read, spoken, visual, aural, performance or multimodal. Language is a vehicle people use to receive, interpret, respond to and create texts.

Within the field of English, students engage with the Essential Learnings - Thinking, Communicating, Personal futures, Social responsibility and World futures - in order to become effective communicators, inquiring, reflective thinkers, self-directed and ethical people, responsible citizens and world contributors.

A well-designed, challenging English program provides the context in which learners:

  • further develop the ability to use language for personal, social and functional purposes,
  • gain power and pleasure by using language to think, create, understand and act,
  • extend their capacities for empathy, imagination, innovative meaning-making, appreciation, analysis, and critical, creative and reflective thinking.

In English students work individually and with others to construct, deconstruct and reconstruct a wide range of textual representations. They explore the contexts in which texts are created and interpreted and the ways different discourses work to position their audiences and creators. They also examine the relationships between texts that affect the ways that meaning is made. Students question, challenge, transform and create texts and explore the relationships between thinking, language, learning and power.

Students also work individually and with others to analyse language, ranging from the transactional to the poetic and including spoken, visual, written and digital forms. They explore language systems and structures and investigate the relationships between language and expression through print, images, sounds and kinaesthetic signs.

Through using texts and language in ever-widening contexts, students:

  • develop and refine their abilities to speak, listen, read, view, write and represent with purpose, effect and confidence for a wide range of audiences and functions,
  • develop understandings of themselves and the world around them,
  • communicate ideas, feelings and beliefs,
  • comprehend and respond to the ideas, feelings and beliefs of others,
  • reflect upon the past, including actions, cultures and heritage,
  • imagine alternative past, present and future lives,
  • shape thoughts on, hypothesise about, analyse, question and create representations of the world about them,
  • recognise and resist the power of language to shape opinion and action
  • consider ethical and valued ways of being and acting at a personal level and in the wider world,
  • enact their preferred identities and futures as individuals and as citizens of a democratic society,
  • develop understanding that an individual’s readings of texts and their actions in response are powerful constructors of personal and social identity.

Students of English develop a multi-dimensional understanding of language and texts. They acquire an ever-increasing capacity to construct, control, analyse, manipulate and transform texts and symbols and to play a creative, innovative, influential part in a widening range of human affairs.

Categories of Learning in English

The learning which students undertake in English may be categorised as:

  1. ACADEMIC LEARNING - building knowledge and skills about language and texts
  2. SOCIAL SKILLS LEARNING - building and maintaining relationships
  3. AESTHETIC LEARNING - developing the skills and knowledge to interpret , construct and appreciate the design and crafting of texts as artistic products/ expression
  4. PERSONAL LEARNING - understanding self as entity, and developing concept of self as autonomous human being. Sense of identity — who am I?
  5. INTRAPERSONAL LEARNING - What and how do I feel? And think? And value? (and how do I represent those thoughts and feelings for myself)
  6. SOCIAL LEARNING - Where do I fit in? How am I like other people? How should I act and be — locally in my family, group or tribe, globally — as a member of the human race?
  7. TEXTUAL LEARNING (semiotics) - the study of symbols and meaning, using language -print, visual and/or spoken- to represent the world and life experiences
  8. EMPATHETIC LEARNING - understanding others’ situations and feelings and acting in consideration of these
  9. APPLIED LEARNING - putting knowledge about texts and language into action using appropriate and successful strategies
  10. TECHNOLOGICAL LEARNING - using established and emerging technologies and tools to create, access and/or manipulate information, texts and meanings
  11. CRITICAL LEARNING - developing a critical literacy framework to use in analysing, critiquing, questioning, challenging or interrogating texts and textual practices in relation to dominant practices and discourses
  12. CULTURAL LEARNING - exploring our literary heritage, examining valued or valorised texts, historical texts and contexts, contemporary national and ethnic texts and contexts
  13. CONNECTED LEARNING - integrating understandings and experiences into a coherent world view, ideology or set of beliefs

Perspectives on English teaching have shifted over time

Perspectives on English teaching have shifted over time as a result of changes in literary theory, understandings about the reading process, and changing social theory and beliefs.


Different perspectives in literary theory define distinctive answers to crucial questions:

How does a particular theory define the literary qualities of text?

What relation does it propose between text and author?

What role does it ascribe to the reader?

How does it view the relationship between text and reality?

What status does it give to the medium of text, language?


A perspective held at one time, that the transmission of cultural heritage in literary form was a simple matter, is no longer accepted uncritically. Reading theorists alerted teachers to the active role of the reader in making meaning from a text, and more recently, social theorists have pointed out that both author and reader are personally, socially and culturally constructed. As a result, current English educators approach text critically, and encourage students to do so, to determine its author’s ideology and to recognise how their own literary and life experiences, and the way in which the text is constructed, positions us as readers and predisposes us to particular points of view.

However, the focus on critically deconstructing text should never be done in such a way that it diminishes enjoyment, engagement and appreciation of text as a work of art. As well, it should be remembered that the purpose of encouraging students to take a critical stance towards text is to give them power as readers and power to take social action to improve their own lives; critical deconstruction is not an end in itself.

Today, Tasmanian teachers tend to draw on elements of several perspectives for particular reasons. This usually reflects their teaching intention at a particular time or the requirements of a syllabus. Teachers can expect that new knowledge will continue to expand, refine and amend the predominant perspectives on the teaching of English. Gunther Kress (1996) argues that with the increasing influence of technology in a multi-cultural world, English will need to become the subject which takes responsibility for all modes of public communication: verbal, visual, and others, if and where they become significant. He argues for an English curriculum that moves beyond an emphasis on critique to one that leads students to become more creative and innovative as meaning makers and better able to design their own futures.

Five perspectives on English teaching in Tasmanian schools

There are five broad perspectives that underpin the way teachers teach English in Tasmanian schools and colleges:

  1. A cultural heritage perspective
  2. A language skills perspective
  3. A personal growth perspective
  4. A functional perspective
  5. A critical literacy perspective

These perspectives reflect the main beliefs and practices that have developed in English teaching over time. They are presented here in their ‘pure’ form in order to help teachers identify their unique characteristics. In a strict sense, most of the perspectives hold some tenets that are mutually exclusive. In the cultural heritage perspective, for example, text is ‘timeless and universal’; in the critical literacy perspective, text is ‘historically and culturally bound, and accessible and interpretable variably’. Most teachers will recognise that their practice involves a number of these perspectives.

1. A Cultural Heritage Perspective

This perspective supports the view that literature embodies the history, tradition, wisdom and beliefs of a particular society and that important cultural tenets and ways of saying are transmitted through the study of texts judged to be of superior literary worth. The meaning of the text is assumed to be timeless and universal and an unbiased representation of reality by an insightful and authoritative voice. The focus of teaching is on literary analysis, the goal informed appreciation.

Cultural heritage does not query whether a text excludes or includes the experience, values and voice of all races, social groups and both sexes. Nor does it consider the active role of the reader in making meaning or the constructed nature of texts. Teachers still select texts and derive some of their teaching purposes from this tradition; however, it is no longer ‘the whole story’.

Features

  • close study of prose-fiction, poetry, drama, film
  • appreciation of the literary quality of outstanding works
  • analysis of content, form, themes and literary devices
  • meaning embedded in the text
  • literary works as artistic creations
  • focus on classic and contemporary literature texts
  • focus on texts, linguistic structures and features, and language strategies

Students

  • through the close reading of particular texts, discuss views, ideas and values expressed in them
  • evaluate the features of texts in terms of their interest, worth and effectiveness
  • make connections between different texts read and viewed
  • write and speak discursively
  • use analytical skills to develop logical argument about texts, providing appropriate supporting evidence
  • use texts as models for their own writing
  • make reasoned judgements about the quality of different texts

The teacher

  • selects particular texts for in depth study
  • demonstrates a range of ways in which to explore and discuss texts
  • leads the analysis of the works of outstanding writers, especially in terms of their creation of style, form, tone and point of view
  • focuses on the acquisition of the vocabulary and criteria for evaluating texts
  • assesses against pre-determined criteria or intended learning outcomes

For examples of activities, see Putting the Five Perspectives on English Teaching to Work

2. A Language Skills Perspective

This perspective focuses on the teaching of the foundation skills of literacy. Students work with texts in order to learn the skills in reading, writing, listening and speaking that are necessary in order to function adequately in school and society. The development of foundation literacy skills is a crucial part of the English curriculum; teachers focus strongly on this perspective during the early years of schooling.

A language skills perspective, however, is limited. For example, it does not, in itself, provide the enjoyment and appreciation of literature and language that is so important in a rich English curriculum . Nor does it support the development of critical literacy which is considered essential for responsible, active participation in contemporary society.

Features

  • functional literacy
  • reading, writing and spelling skills and strategies
  • writing forms necessary for success in school
  • Standard Australian spoken English
  • focus on everyday texts
  • focus on the linguistic structures and features and language strategies
  • focus on Tasmanian Literacy Outcomes

Students

  • practise reading and writing strategies
  • develop skills in visual, semantic, syntactic and phonic processing
  • learn a range of forms of writing
  • build a vocabulary for reading and writing
  • learn the rules by which written language operates
  • focus on correct usage
  • practise the skills and strategies of effective listening and speaking
  • have planned opportunities for achieving the Tasmanian Literacy Outcomes
  • undertake a systematic spelling program and keep an individualised spelling book

The teacher

  • models correct language usage, including its grammar and vocabulary
  • undertakes explicit teaching of skills and strategies
  • intervenes in learning as appropriate
  • works with individuals and different groupings for particular purposes
  • plans and assesses using particular profile outcomes in reading and viewing, listening and speaking and writing
  • plans and assesses using the Tasmanian Literacy Outcomes
For examples of activities, see Putting the Five Perspectives on English Teaching to Work

3. A Personal Growth Perspective

This perspective supports the view that language learning is a holistic, natural process in which meaning is constantly constructed by students as they engage in purposeful, real-life activities. Students engage with large units of meaning in whole texts, and all areas of their language curriculum are integrated and interdependent. The personal growth perspective coheres closely with Reader Response theory which supports the view that readers are active in the process of constructing and responding to text. Readers create individual meanings in interaction with the author’s intended meaning. They engage emotionally with texts, developing empathy, connecting fictional experience with their own lived experience and gaining insights into their personal, and the broader human, condition.

While personal growth remains an important goal of the English curriculum, the ideas and practices derived from this perspective have limitations. For example, a personal growth perspective does not specifically address the idea of text as social construct; nor does it promote the development of critical thinking. It assumes that the experience of engagement and empathy automatically promotes personal or psychological development.

Features

  • an emphasis on all modes of language
  • exploration of personal experiences and feelings
  • open-ended discussion
  • an emphasis on activities which allow a range of acceptable responses
  • learning by doing, with errors and risk-taking seen as evidence of learning
  • authentic purposes and real life activities
  • big books/ real books
  • focus on contemporary literature, mass media and everyday texts
  • focus on language strategies

Students

  • talk and write about personal experiences
  • use their understanding of language purposes, contexts and conventions to express thoughts and feelings through speech, writing, role-playing, drama and other arts
  • give and receive feedback from peers
  • keep a journal of reflections and observations
  • draft and publish texts
  • read widely from texts of personal interest
  • self-select activities involving the full range of reading and writing processes
  • develop self-awareness and the ability to self-correct and evaluate

The teacher

  • establishes a print-rich environment
  • models reading, writing and thinking
  • establishes real-life reading and writing opportunities
  • relates experiences of characters in texts to the lives of the students
  • creates planned opportunities for individual and cooperative learning
  • undertakes ongoing assessment
  • keeps records of texts read, stories written, developmental stages students exemplify
  • assesses using reading records, work samples, records of developmental stages, student self-assessment, parent interviews
For examples of activities, see Putting the Five Perspectives on English Teaching to Work

4. A Functional Perspective

This perspective focuses on analysing the grammatical structures of language and identifying the precise changes that occur in matching purpose, language form and register, and context. The approach seeks to make these changes - often minute - explicit and apparent to students, and to give them control over a repertoire of language forms and therefore of meaning-making and interpretation. Genre theory is an important component of this perspective.

Genre theory is concerned with identifying different types of text, different ‘genres’, which are used in a culture to achieve particular purposes. Genre theory refers to the overall purpose for a text and makes explicit to students the language and grammatical structures of different texts. The ability to use a range of genres, especially those important to academic success, gives students a greater opportunity to operate powerfully within society. However, it is argued that genre theory often presents narrow view of the nature and structure of text and is supported by inflexible teaching methodology. Students are encouraged to master the dominant genres rather than find ways of challenging them, through creative and critical thinking, in the pursuit of change and social justice.

Features

  • learning about purposes and contexts for using language
  • learning about the valued genres of the dominant culture
  • reading and writing models of valued genres
  • explicit understanding of the structure and grammar of texts
  • deconstruction and joint construction of texts
  • use of subject-specific discourse
  • focus on everyday texts
  • focus on contextual understanding and linguistic structures and features

Students

  • work with the teacher and peers to ‘jointly construct’ texts
  • ‘act like apprentices’ who progressively develop the appropriate knowledge and skill that enable them to work independently
  • learn to analyse linguistic structures and features of texts
  • develop a vocabulary with which to talk about language
  • read and write in a range of genres, especially those important for success at school
  • use specific subject discourse rather than everyday, commonsense language
  • work towards being able to produce correct, recognisable forms of the genre under study

The teacher

  • presents models of a range of valued genres
  • teaches explicitly as an expert trains an apprentice
  • jointly deconstructs and constructs texts with students
  • shows students how to produce particular forms of writing
  • assesses how well students produce the required text
  • assesses use of language which matches the models of the genres studied
  • assesses using appropriate Tasmanian Literacy Outcomes
For examples of activities, see Putting the Five Perspectives on English Teaching to Work

5. A Critical Literacy Perspective

This perspective supports the view that texts are social constructs reflecting the beliefs and values of their time and culture. Texts have multiple meanings, and readers are positioned by the structure of the discourse, by emphases and omissions, and by the point of view that represents the ideology of the implied author. As such, texts offer selected, partial versions of the world, producing, reproducing and maintaining unequal power arrangements.

As students examine the embedded ideologies of texts and consider the ways in which they, as readers and viewers, are constructed, positioned and manipulated, they are able to develop contesting and opposing interpretations. Students analyse the power of language and write texts which work for equity and change. In doing so, they begin to operate powerfully and for social justice within the world.

The critical literacy perspective has inspired teachers to undertake a great deal of innovative work with students in Tasmanian schools and colleges. When over used or used insensitively, however, it has the potential to diminish the enjoyment and appreciation of literature as a work of art and concentrate on the negative features of texts.

Features

  • texts no longer considered timeless, universal or unbiased
  • discussion of how knowledge has been created and by whom
  • text analysis in terms of historical and social context
  • study of what texts include and exclude
  • exploration of how groups are represented in texts
  • interrogation of texts and exploration of alternative readings
  • focus on the ideology of the author
  • focus on classic, contemporary and popular literature, mass media and everyday texts
  • focus on contextual understanding

Students

  • analyse how texts construct realities
  • analyse how texts represent gender, race, ethnicity
  • examine their own beliefs and values
  • analyse how readers are positioned and constructed
  • analyse how texts work on readers and viewers
  • analyse texts from cultural and political perspectives
  • take a position on texts and the events they portray
  • rewrite texts from different perspectives
  • learn to analyse ‘political discourse’ and challenge dominant paradigms

The teacher

  • values the cultural resources every student brings to the classroom
  • presents a range of contradictory, contrasting texts
  • models questions which interrogate texts
  • renders texts problematic
  • demonstrates the use of literacy for social action
  • assesses students’ ability to critically analyse texts, construct alternative readings and produce rewritten texts that present different viewpoints
For examples of activities, see Putting the Five Perspectives on English Teaching to Work

Acknowledgements

The five perspectives on English teaching have been derived from the work of Jenni Connor, Bill Corcoran, Ray Misson, Jack Thomson, Merle Iles and PD on CD: Literacy (Curriculum Corporation).

A workshop activity - exploring the five perspectives on English teaching

A process for auditing your English program by exploring the five perspectives on English teaching is described in the Workshops section of the web site.


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Produced by: Department of Education, Tasmania, School Education Division
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Modified: 11/09/2007
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