Especially
for Teachers - Resources
Asking
Better Questions
 |
A
forum for teachers hosted by Dr
Norah Morgan |
This
is a transcript of the discussion that
took place in the "English classroom
forum" on the Discover website
of the Tasmanian Department of Education.
The discussion was hosted over four
weeks by Dr Norah Morgan from Brock
University, Ontario, Canada. Norah is
the co-author with Juliana Saxton from
the University of Victoria of the excellent
text, Asking Better Questions
(St Clair Press). Participants included
teachers, university students, curriculum
officers and academics mainly from Tasmania,
but also from interstate.
The
discussion appears in its entirety, though has been edited to make
it easier to follow. In this form, you will find it a valuable professional
learning tool (and a terrific read), though you may prefer to download
the document before reading it. (Click here
to download the Word document - 194k)
To go straight to parts of the discussion that include teaching strategies,
simply click on the hyperlinks below.
a
questioning strategy for teaching poetry
questions from an upper primary perspective
"ReQuest Procedure"
conducting an inquiry"Working Scientifically"
philosophical questions
questions to support negotiating
pausing and listening
creating an atmosphere of trust
teacher-in-role
thinking time
a critical questioning framework
leading questions
questions, homework and class meetings
questions by function
think-pair-share
quescussion
using low-key drama in the middle school
a strategy to inspire poetry writing
role playing strategies to support questioning
thought bubbles
questions teachers should ask themselves
QUESTIONING
IN THE ENGLISH CLASSROOM
NORAH
My
special interests are "questioning
in the classroom" and "process
drama as a method of teaching across
the Curriculum".
During
research for the book, Asking Better
Questions, I became concerned at
the lack of questions from students
in the 128 classrooms I visited. We
learn by asking questions of our peers,
experts, books, the internet, ourselves...so
why are there generally so few opportunities
for students' questions? The majority
of teachers I asked said: "I don't have
time to cover the curriculum" or "I
am afraid that the students will think
me stupid if I do not know the answer."
Both answers are valid!
My
co-author, Juliana Saxton, and I in
Asking Better Questions have
made many suggestions so now I throw
a question to you:
"How,
in the teaching of English, can I encourage
students to ask those questions that
open up the topic without losing my
focus?"
I
look forward to reading your comments.
STEVEN
FIGG
A
simple technique that can be used when
teaching poetry is as follows:
Ask
students to read a poem individually
several times and then to generate three
or four questions about it. For example,
even if they find the poem boring, they
are allowed to pose the question: "Why
is this poem boring?" Questions
such as: "What does the word x
mean in line one?" through to "How
does this poem remind me of my x?"
are then generated. Students are thus
empowered to generate their own questions
about the poem, rather than answering
the teacher's pre-determined questions.
Over time and with practice students
develop very complex questions.
After
students have developed their own set
of questions they form pairs and attempt
to answer each other's questions. Usually
two or three questions remain unanswered
and/or new questions are generated.
Ask the pairs to form groups of four.
Repeat the discussion process and then
ask each group to come up with one key
question about the poem. Six to eight
student-generated questions are then
available for whole class discussion.
If you're a brave teacher you can deal
with the questions on the spot. If not,
take them away and use them as the basis
for your teaching of the poem the next
day.
This
activity encourages students to ask
relevant questions.
KAREN
CLARK
Thanks
for that idea, Steven. I will use it
tomorrow! My first thought in response
to Norahs opening question is
that we need to begin very simply. Your
question about maintaining focus is
a good one. We all find it hard to "stay
on track", but as we become more experienced
as teachers, we gain greater confidence
in allowing freedom in "mapping" the
territory. Perhaps we become less afraid
of losing the focus or perhaps less
sure of the focus anyway!!! This doesn't
mean that we don't have a clear idea
of where we are going, rather that we
are more intuitive and flexible in our
thinking.
Modelling
seems important, as does some sort of
"ownership" of the topic. A clear purpose
also seems to be crucial in experimenting
with formulation of questions. Allowing
kids time to think about the types of
possible questions and their limitations
or advantages also springs to mind.
CAROL
WILSON
I
think that there are a lot of problems
with questioning - teacher to students,
students to teacher and students to
students. Are we asking questions because
we genuinely want to know the answer?
Are we prepared to listen to long-winded
answers? Are the questions appropriate
for just a few in the class? Do we just
hear the answer we want and move on?
How do we monitor and assess the sort
of questions the students ask? Do we
know in the first place what sort of
questions we want students to ask?
I
feel a bit daunted knowing that such
an expert on questioning is leading
this discussion. Perhaps we should all
just read the book! Anyway, here are
a few thoughts from an upper primary
perspective:
- Students
can prepare questions as a homework
activity
- Use
question formulation as an assessment
tool ie make up 10 questions about
the topic being studied and use
these questions as the basis for
a quiz
- Provide
incentives for questions that no
one knows the answer to
- Classify
a list of questions on a specific
topic into "do/don't know",
"can find answer to",
"can find out but with difficulty"
- Provide
"question boxes" for the
teacher or a student group to answer
- Have
a white board or piece of paper
available for students to jot down
questions while the teacher is otherwise
engaged
- Have
sessions to identify the types of
questions that can be asked eg What
are the characteristics of an open-ended
question? When is a closed question
appropriate? etc
- Literature
provides a multitude of opportunities
for formulating questions to ask
the author or a particular character.
Pairs or small groups can work on
these.
CHARLES
MORGAN
I
think that Steven, Karen and Carol have
raised some important issues and suggested
some wonderful strategies for encouraging
student questions. Karen and Carol both
talked about the complex nature of student
questioning. I remember reading a book
on questioning by by J. T. Dillon where
he says that the way in which many classrooms
are organised and managed discourages
student questions. He argues that the
typical cycle of classroom discourse
is closed to student questions. He describes
the typical cycle of discourse as follows:
1.
teacher question
2. student answer
3. teacher evaluation of answer plus
next question
By
contrast, the cycle for a student question is much more complicated
and uncertain:
1.
student bid for the floor- teacher nomination
2.
student request to ask - teacher permission
3.
student question
4.
teacher move
a.
reply (answer, counter-question, re-direct
the question, re-forumlate the question);
b. non-reply
5.
student acknowledgement of reply (as opposed
to evaluation of it - this is the typically
the teacher's domain)
6.
teacher move (often another question)
I
think Dillon is saying that it is difficult
for students to ask questions and that we
must create the conditions that provide for
student questions in our classroom. Crucial
to this is the establishment of a cooperative
classroom culture. Not
easy to attain.
ANDREW
CONNOLLY
PETA
has published
a PEN by Dr Christine Groves called "Explicit
Teaching: Focusing Teacher Talk on Literacy".
This work provides some structure for shifting
the over-reliance on "question-answer-response"
scaffolds.
Talking
to Learn, edited by Pauline Jones (published
by PETA), is a great resource for teachers
in the area of oral language in the primary
classroom. It provides a great framework for
organising and understanding the kinds of
talk that take place in the classroom from
formal through to informal talk. It also provides
a resource for analysing and understanding
the grammatical structures of spoken language
to help support student learning.
In
relation to questioning around literature,
Aiden Chambers has written a wonderfully practical
book called Tell Me which is all about
providing support for children to respond
to reading through talk. To do so he provides
some great basic questioning techniques and
some specialised questioning frameworks. Another
great book available from PETA!
JANE
EVANS
The
postings so far on questioning have been fantastic
reminders to me, as someone not currently
in the classroom, what a carefully constructed
process teaching is. It has made me think
of the questions used in critical
literacy which can become a familiar framework
to students to ask their own questions of
texts. I appreciate the risks that reading
against the grain can become formulaic; however,
a student taught to ask critical questions
has a powerful tool to engage with texts and
to generate other questions.

NORAH
Jane
you have hit the nail on the head! It is not
easy to get students to ask productive questions.
I like DILLON'S quote:
"TO
CONCEIVE AN EDUCATIVE QUESTION REQUIRES
THOUGHT,
To formulate it requires labour,
To pose it, tact.
None of this is mysterious
And all of it is within our reach."
Perhaps
our students need training as questioners.
I observed a teacher of Grade 4 students who
uses the ReQuest procedure. After a story
the students have to ask questions stating
whether the question is:
- ON
THE LINE
- BETWEEN
THE LINES or
- BEYOND
THE LINES
I tried it with the students composing exam
questions (3 questions "on, between and
beyond the lines" - in a group of 4),
then sharing them with the class who evaluated
the questions. We hardly needed the test!!
Andrew,
have you ever tried QUESCUSSION
? It works in class and at the dinner table
cutting down on the monopoliser but allowing
him/her to be part of the discussion.
MARION
MEIERS
The
DETYA Children's Literacy National Research
project, "CLassroom Discourse" project (DETYA,
1998) includes transcripts of classroom talk
which illustrate many aspects of questioning
- very pertinent to this discussion. The Report
can be accessed through Stephanie Gunn, National
Coordinator for these projects at Griffith
University. (S.Gunn@edn.gu.edu.au)
NORAH
Thanks,
Marion, for information on this project. It
sounds really interesting.
I
would like to refer to my successful implementation
of Steven Figgs idea about students
turning their comments into questions. I was
able to use this strategy when I was sitting
with some adults who were discussing poetry.
One asked, "Why do I find poetry boring?"
and someone replied (not me) that perhaps
he was boring! A lively discussion followed
and after I put my ideas as questions, they
followed (mostly)!
Has
anyone any ideas to help teachers who worry
about letting students ask questions as they
might not know the answer? Experience helps
but that does not help the new teacher! One
can occasionally compliment the student and
admit that you do not know the answer but
are willing to find out.
"Working
Scientifically" is an excellent strategy to
draw questions from students and safe for
the teacher:
Conducting
an inquiry-Working Scientifically
(from Asking Better Questions by Morgan
and Saxton)
Procedure:
1. Choose a topic.
2. Make board lists under the headings:
a.
What do we know about the topic?
b.
What do we need to know? (questions)
c.
Where can we find the answers?
d.
Who might help us? Letters, diary entries,
groups...)
3.
Students conduct research to answer questions
in response to "What do we need to know?"
as individual, pairs and small groups.
4. Students share their knowledge as the teacher
writes the answers on the board a new version
of "What do we know about the topic?".
5. The teacher asks, "What new questions
do we have?" (a new version of "What
do we need to know?")
And so the process goes on.
I
worked with a groups discussing the Kosova
War as topic, the character of Prospero in
The Tempest and my students have used
letters, speeches, news articles, diary entries,
pictures, photographs, Maths and Science problems
and so on as sources for learning through
questions. ALL DECLARE IT IS A WINNER!
The
students do much of the work, although the
teacher also researches the topic, but holds
the information until an appropriate time.
I rarely offer my findings unless it is vital
for the students to have them.
JENNY
MORGAN
I
would like to share a strategy used by teachers
of Philosophy for Children.
I use this strategy when working with students
on narrative texts. Before reading the text,
I explain that I will be looking beyond the
text for big ideas or unanswerable questions.
As I read the text to students, I suggest
that they jot down any questions that come
to their minds for sharing with others at
the end.
After
reading, I ask for questions and write them
on the board. I always write the name of the
questioner beside the question - this gives
ownership and provides self esteem. Kids love
this. I include all questions - it is sometimes
surprising to see how some of the most basic
questions can be quite meaningful. I find
questions that may have a common thread and
link them on the board. I begin discussion
on the most popular question first. Not all
questions will be answered, though most are
often addressed incidentally. Where possible,
I address unanswered questions. I invite the
contributor of each question to discuss if
they are happy about dropping the question
or whether they think it needs further discussion.
Questions can also be addressed during the
next session, but sometimes this can be a
bit of a drag. It is often better to explore
another text on a similar theme. (For an example
of using philosophical questions with texts,
have a look at the beaut
ideas prepared by Jenny.
NORAH
Jenny,
you certainly answered the question I asked.
If the question is on the board, the student
is still owning the question. Of course you
are asking questions where there is no one
right answer.
MIKE
McCAUSLAND
Hello
from Mike in Launceston. I teach in the Faculty
of Education at the University here. There's
been a lot to react to, so I'll choose just
one at the moment - prompted by you, Norah
and your comments on 'working scientifically'.
It
places English within the context of important learning generally. We
want kids to be inquiring, not merely recipients of information, don't
we.
In
Science it's "Why is it so?" (to quote Sumner
Miller of a-glass-and-a-half-of-milk Cadbury
Milk Chocolate fame); in English it's more
like "How do I see it?" and "Why do I feel
it so?" etc. I suppose. The four questions
you suggest, Norah, start out like the key
questions I'd been thinking of when I read
the earlier contributions about encouraging
students to ask questions. They are the four
kinds of questions Jon Cook saw as central
to classroom negotiation (in Negotiating
the Curriculum: educating for the Twenty-First
Century 1992, p.21):
- What
do we know already? (or where are we now,
and what don't we need to learn or be
taught about?)
- What
do we want, and need, to find out? (or
what are OUR questions, what don't we
know, and what are our problems, curiosities
and challenges?)
- How
will we go about finding out? (where will
we look, what experiments and enquiries
will we make, what will we need, what
resources and information are available,
who will do what, and what should be the
order of things?)
- How
will we know, and show, that we've found
out when we've finished? (what are our
findings, what have we learnt, whom will
we show and for whom are we doing the
work, and where next?)
These
are framing a vital shift in who asks the
questions - although I'm sure they're worded
in ways that Jon would acknowledge are teachers'
terms to explain classroom interaction. (I
haven't come across a lot of 'whoms' of the
'whom will we show?' variety in students'
mouths!) So it's not teachers, and it's not
learners either, exactly, who ask the questions.
It's
the classroom context of inquiry that takes
more of the burden and nobody has to
feel particularly vulnerable about not knowing.
It's a co-operative enterprise for a start.
It's not a test. It strives for relevance,
and it's about taking a long-term, self-directed
view of learning, not just bits of information
others think are important. If the curriculum
is constructed around kids (and teachers)
being clearer about what they think they know
and don't know, and together working out what
to do as a result, it opens up the classroom
to genuine questions (which is much more like
everyday use of questions, where to ask something
when you know the answer is just a trick to
catch someone out, or being polite and bland
for the sake of chat).
Ooops.
Got carried away. So - a plug for negotiated
learning, and putting questions into a different
frame. Anyone agree?

NORAH
Thank
you Mike: you have taken what I had written
and have flown with it showing the value of
English within the context of all learning.
I stress the importance of allowing the students
to share what they have discovered but without
pressure, just encouragement and acceptance.
Once
again, I have new material to add to my collection
for my next lecture, thanks to "English Classroom
forum"!
MIKE
McCAUSLAND
A
discovery I made about classroom questioning
came from sitting in on a (younger) colleague's
class. She handled questioning superbly, I
thought. She did all the right things in terms
of the basics of teaching technique: well
phrased question, pause, acknowledgment, response,
sequencing of questions, distributing them
around the class etc. But there was something
which lifted the interaction out of the effective,
capably-handled into something quite exciting
- felt by the whole group. And one of the
key elements, I decided, was the pause AFTER
the answer given by the student. It was a
period when everybody, but she and the student
answering especially, savoured and thought
about the implications of the answer. The
significant message was one of respecting
the student's answer, and really LISTENING
to what was said as the student intended it.
The difference between questioning to find
out what someone thought and felt, compared
with asking a question as a matter of form
or as a way of advancing the lesson content,
was brought home to me.
It
reminded me of an earlier experience when
a local youth worker called Fuzz Kitto (and
the name was well earned; his face was surrounded
by a wiry mass of hair and beard that stuck
out about five centimetres all round). He
came in to do a guest session about troubled
kids in schools. He began by 'telling his
story'- an account of what he'd done in his
life, a few of the things that really mattered
to him and why he held the beliefs he acted
on in his life. The atmosphere was transformed.
When he invited people to talk of their experiences
- his goal was to explain that in order to
work with kids with problems you had to be
honest and open, and to build a relationship
of trust - everybody in the class wanted to
share something of themselves. Although they'd
been in the same class for over three years,
they volunteered things that even their friends
had been unaware of. I learned a lot about
the group too, things that really mattered
and changed the way I saw them and worked
with them afterwards. Again it was a matter
of honesty, and of wanting to listen to what
people said, that made the critical difference.
(Fuzz was of course non-judgmental about the
replies he received, and that was part of
his professional expertise in questioning
in social work.)
The
inference I made from the two sessions was
that in asking a question it was what you
learned from it that was important. And that
made 'classroom' questions more like 'ordinary'
questions in everyday life - not such a bad
thing if the other principles of good classroom
questioning are acknowledged.
NORAH
Mike,
it is so true that we often do not give enough
time for students not only to answer our
productive questions but also not time to
absorb the answers of their peers and we rush
in with another question. Is it because we
are afraid of silence? I said earlier that
it takes time to accustom the students to
know that you are giving them time to think.
Fuzz is a true educator in that he shared
his experiences with the students who then
contributed their experiences as he drew them
out with questions and comments. In a recent
television interview Frank McCourt (Angela's
Ashes) told the interviewer that he encouraged
his students to "force" memory.
They in turn forced him-hence the best seller!!
Thanks Mike-another piece to add to my collection.
RICKI
BLACKHALL
Questions!
Aren't they the best? It's really what education
is all about isn't it?
I
believe one of our main purposes as educators
is to stimulate the desire to learn and one
of the fundamental ways I have found for this
to work with primary school students is to
value the contributions they make. It's about
SELF-ESTEEM. The self-esteem of students is
noticeably raised when they are (apparently)
the ones in control. I believe there is a
place for both teacher and student generated
questions, for example....
LEADING
QUESTIONS such as 'What is English?' A great
starting point (in any subject area). The
responses can be both written and oral. This
can lead to great discussion which naturally
includes more questions from the students
themselves. Other students seek to clarify
the topics until we're left with deeper understanding
and/or further questions to explore...possibly
by consulting with an 'expert' from another
class, another adult, parent, teacher, expert
in the field, ....and possibly what technology
has to offer us through the computer. A lot
of time is spent in my classroom with 'talk'.
If further exciting questions are raised these
are noted on the whiteboard for follow-up
at some other time.
Another
exciting way I use questions from the students
is in the PROCESS of the exploration of a
NEGOTIATED TOPIC for individual, group or
class work. I encourage them to begin with
several questions (the number of questions
is directly related to the age of the students)
specifically related to the topic. An essential
part of this process is negotiating the ASSESSMENT
process:
What
criteria are we looking for? Who is going
to mark the work? Self? A peer? The teacher?
My parents? Against which criteria? What sort
of rating? SO WHAT?... The so what is an internal
question to myself...
After
so much hard work from the students where
a such a huge learning process has taken place
I believe celebration of some form is essential,
whether it be the students becoming experts
on their work and acting as consultants to
another group or having a public expo or sharing
in assembly...
I
think the WHAT IF? question has been discussed
already. It's a beauty and again best followed
up when actually generated by the students...
which could be after a viewing session. The
list is endless... Hmmm a bit like this contribution...
HOMEWORK,
too, has been mentioned as a place for generating
questions. This has actually led to some of
my absolute best teaching, more often than
not stimulated from the class novel.
CLASS
MEETINGS are a brilliant place for the generation
of questions and the associated philosophical
discussions, listening skills, questioning
skills are honed.
I
could go on... however, coping with my son's
black keyboard, fending off my Burmese cats,
the fact I have a year three/four class of
30 eager kidlets awaiting me and out of consideration
for the reader, I'll stop.
NORAH
Ricki
some interesting suggestions here promoting
questions from students. Do you keep your
own questions in reserve at Class Meetings
to guide them into relevant discussion?
MARTINA
CRERAR
Hello
from the University of Tasmania. I'm a final
year Education student in Launceston, specialising
in secondary English and Drama. With Mike's
reassurance I am taking the plunge and offering
up my experiences of attempting to ask better
questions.
On
my last two practical programs, as a student
teacher, I have tried and tested many different
strategies for working with individuals, small
groups and whole classes, including how to
ask better questions. I have often found it
difficult, after posing a question, to leave
enough time for the students to respond -
the thinking time. Silence can be very confronting.
I remember finding it very uncomfortable,
and often would try to rephrase the question,
thinking I had not put it the right way for
the students to have a go at it. As a pre-service
teacher, giving students enough time to respond,
making myself hold back, is a skill I need
to work on.
However,
as a Drama teacher, I have found a wonderful
strategy, in terms of asking questions. When
using the strategy "teacher-in-role",
whether in Drama or English, it is often easier
to tackle such moments as a 'thinking pause'
after a question has been asked. In terms
of confidence, playing a character, such as
a grumpy old mayor, helps to remove my lack
of confidence in asking the right question.
It's not you asking the closed, narrow question,
or harping for people to pipe up when they
don't reply - it's the grumpy old mayor. I
found on my internship this year that using
this strategy encourages students to respond
quickly, spontaneously with little inhibition.
I was not 'the teacher' as such, and they
were not trying hard to think of 'the right
answer'. The secure and removed world we had
created within the drama offered the students
and the teacher the space in which to explore
questions and the issues they raise without
the constraints or formalities that 'testing
knowledge' type questions can have.
Hope
this helps.

NORAH
Martina
you have brought up an interesting problem
regarding "thinking time". Students and teachers
have to be comfortable with silence! Until
they are I often preface my question with,
"This question is a thinking one so we must
all have time to think before we answer" or
words to that effect!
As
a drama specialist I agree that teacher and
students in role is a wonderful way to teach.
The role the teacher takes is important and
I tend to be second in command, eg the grumpy
mayor's assistant needing their ideas as to
how to tackle authority. I can go on for hours
if anyone needs ideas but you have all no
doubt have had drama training at your Faculties
of Education.
We
seem to have exhausted the problem of drawing
questions out of our students and perhaps
should be looking at our own questions and
how we deal with the answers.
Why
do we ask questions? (Apart from the fact
that we need to know what the students already
know, understand, need to know and understand
and to find out how to lead them into new
understanding).
What
questions shall I ask which will:
- attract
their attention?
- draw
them into active involvement where their
ideas become an important part of the
process?
- invite
them to take on responsibility for the
inquiry?
- create
an environment in which they will have
opportunities to reflect upon personal
thoughts, feelings, attitudes, experiences
and values in relation to the material
of the lesson?
Sounds
complicated but it is worth thinking about,
otherwise we are just providers of information
and not true educators.
MANDY
PASKE
I
feel I've been surrounded by questions lately.
I have been administering the Year 3 and Year
5 Literacy Monitoring Program, the National
English and Maths Competitions and this week
is our first week implementing the structures
and strategies of the PASS program. Surrounded
by questions and not always answers. I suppose
it's like listening and speaking though. They're
not always a couple; just because we speak
doesn't mean someone is listening. Anyone
out there? And just because we question doesn't
mean we expect, or are going to receive, AN
answer. I know we're all aware that students
and teachers need sufficient TIME to talk
and question their ways into understanding.
It's this time element I need to keep reminding
myself of. When thinking of balance, I still
find the English Profile organisers a valuable
way of planning for and looking at student's
performance as a listener, speaker, questioner!.
That is - what the student is doing with what
kinds of questions, the understanding about
socio-cultural and stituational contexts that
the student brings to bear when composing
and comprehending questions, the structures
and features of questions and how students
go about composing and comprehending questions.
There are a couple of resources I don't think
have been mentioned in the forum yet that
people might find valuable. The First Steps
Oral Language material is great! Talking
with Confidence by Molly Travers (Cambridge,
1995) contains classroom activities in speaking
and listening in pair, small and larger groups.
A publication from The English Club titled
Speaking and Listening; A Guide to Teaching
and Assessing for the English Classroom
by Robert McGregor and Marion Meiers also
offers valuable material for teachers.
JANE
EVANS
Norah's
redirection urging us to perhaps consider
our own questions, and why we ask questions
has coalesced nicely with a lecture I have
just attended by Simon Longstaff for the St
James Ethics Centre, entitled "Ethical frameworks
for the 21st century". It has got me thinking
about the kind of questions we ask to encourage
students to be reflective people capable of
asking the big questions:" What ought one
to do?" and, "What is a good society?"
It
would seem that we do a great deal of moral
and normative literacy work in the personal
growth models of reading. This happens in
the choices we make regarding texts and the
questions we ask to produce particular responses,
frequently associated with specific social
norms or expectations. I guess where my interest
in critical literacy and supporting students
to read against the grain (prompted by our
class questioning) and ethics connect, is
that it is a way for students to really question
the received view of the world. They can engage
for themselves, in this post-modern world
with ethical questions at a time when our
institutions are grappling to remember their
ethical beginnings. I guess this is a plug
for democratic classrooms, along the lines
Mike was talking of, but with ethical or moral
purpose. In Eva Cox's terms through asking
reflective questions we can build social capital
in the community of the classroom.
Cripes,
this is what happens when you write fresh
from an ethics lecture. Some might say it
would read differently fresh from a classroom.
MANDY
PASKE
Jane,
I thought it might be worth mentioning a critical
questioning framework developed by Deirdre
Travers and other South Australian educators
and used quite extensively in our English
work. The framework addresses the question,
WHAT IS THIS TEXT ABOUT?
- How
did they put this text together (structures
and features)? What techniques were used
and why? What effects do these techniques
have?
- Who
constructed it and why (situational context)?
Who made this text? What was involved?
- Who
benefits?
- Who
is the audience? (situational context)
- Why
is the text presented in this way? How
else could it have been presented? How
could it have been presented for a different
audience?
- How
are you positioned to read this text?
Can you read it differently, such as from
a different point of view?
- What
is valued in this text? (socio-cultural
context)
- Who
is included and why? Who is not included
and why not?
- What
cultural understanding and knowledge does
the text assume?
ANNETTE
MOULT
For
the last few weeks I've been reading with
interest the wide variety of contributions
to your discussion starters. It certainly
has been a stimulating time as in our busy
routines we don't often have the opportunity
to rise above the mundane.
At
the recent TATE Conference in Ulverstone,
Peter Freebody conducted a workshop about
classroom practice and here he raised some
very relevant points about pedagogy- I think
that this is the essence of the whole issue
of questioning in the classroom. Peter said
that our current literacy practices may be
adding to the disadvantage of students from
a disadvantaged background. He asked us to
consider our questions and whether we relied
heavily on "traditional questioning"- teacher
question- student response- teacher feedback
- both as a means of extracting responses
from our students and sometimes, as a method
of classroom management. Peter suggested that
we tape the talk in one of our lessons and
use this to review our classroom talk. This
process can be a rather painful one but does
reveal both our strengths and weaknesses in
regard to questioning. It also allows us to
move away from relying on traditional questioning
to including varied opportunities for informal
talk in a supportive environment. One of my
favourite books which presents a wide range
of talking activities is Working Together:
The Cooperative English Classroom by Robert
McGregor.
NORAH
Annette,
I agree that taping yourself can be really
useful, if a bit frightening.
There
are many classifications of questions which
have served us all well. Most identify categories
by type. ( knowledge, comprehension and so
on) I prefer to ask myself "What do I want
this question to do. I thought you might find
it interesting to look at a classification
of questions by function. This classification
is elaborated in Asking Better Questions.
Questions
by Function (What do I want this question
to do?)
CATEGORY
A: Eliciting information questions
that draw out what is already known of both
information and experience and those which
establish the appropriate procedures for the
conduct of the work (ON THE LINE QUESTIONS)
- Who
turned the pumpkin into a golden coach?
- What
reasons did Hitler give for invading Czechoslovakia
in 1938?
- Shall
we work in small groups or as a whole
class?
CATEGORY B: Shaping understanding questions
that fill in what lies between the facts and
sorting out and expressing what is thought
and felt (BETWEEN THE LINES QUESTIONS)
- What
was Cinderellas father doing when
the sisters prepared for the Ball?
- What
might be the attitude of the conquered
to their conquerers?
- How
would it change our lives if we were faced
with those problems?
CATEGORY
C: Reflecting questions that challenge
the student to think creatively and critically
(BEYOND THE LINES QUESTIONS)
- I
wonder why the Fairy Godmother made her
magic stop at midnight?
- Is
there ever a time when it is acceptable
to take over another country?
BRIDGET
PARKER
Thanks,
Norah, for outlining this classification.
I will use it in my future planning. I am
a student from Launceston, completing my final
year in Education, specialising in secondary
English and Drama. I would like to share a
particular strategy to do with asking better
questions. I have discovered while on practical
placements, as a student teacher, that when
it comes to questions there are two distinct
groups of students - those who love to answer
questions and those who loathe it. While the
students who love to offer ideas and answers
in class are not a problem, they can stop
other students from actively participating.
I believe that the students who often answer
questions should be recognised for their willingness
to engage in the discussion, but not at the
expense of other students.
A
useful strategy that I have used with success
to encourage all students to participate is
"think-pair-share".
This strategy gives the students a chance
to:
- think
individually about the question;
- write
down any ideas that they might have;
- share
their ideas and answers with a peer;
- share
their ideas with the class/small groups.
This
works well as it gives students the opportunity
to discuss their answers with another before
they are asked to share them with a large
group, which can be very intimidating for
some. It also lets the students with plenty
to say voice their opinions to another, giving
them the chance to be heard.
I
have found that you can complement this strategy
by giving the students a chance to write their
ideas on the board. This not only leads to
a large collection of thoughts and ideas but
it gives the students a sense of ownership
and control. I hope that this can help in
the development of better questions!!

NORAH
Thanks,
Bridget, for your strategy about respecting
those who want to be involved and at the same
time encouraging slower or non responders.
Sharing with a partner after working alone
is one of the best ways of getting responses
from the reluctants. To add to your list their
responses must be put in the form of a question.
It stops the "one who has all the answers"
from dominating the discussion. A simple example:
Teacher:
I wonder why Jack and Jill went up the hill
to get the water? Isn't water usually in valleys?
Student
A gives a scientific answer--end of discussion.
Had he/she put it in the form of a question,
the topic is open to all and students have
to think of how to express their contributions
in the form of a question. e.g. Student B:
Is it not possible that the well lower down
might be polluted? And so on. That is "QUESCUSSION".
DAVID
HOLT
I
teacher at a district high school. I have
a very bright group of Grade 8 boys and have
managed to stimulate and motivate them for
the past 4-5 months but am now running dry!
Any ideas/suggestions to keep me going for
the remainder of the year? I am particularly
keen to develop approaches in poetry, small
drama projects and other cooperative/ group
activities.
NORAH
I
find that low-key drama works well with middle
school students where they do not have to
move from their seats until they are comfortable
with what they are doing.
I
take a small fragment of prose or a poem with
lots of unanswered questions. For example,
"In the year AD2020 Mary Ellery, daughter
of William and Elizabeth Ellery, left her
home in Townsville to travel to the planet
Osiris. She was a member of the group 'Venture'
led by Doctor James Harvey. Mary never returned
though she had left earth with the group.
The team does not speak of her. There is no
mention of her in the records and her name
does not appear in the medal citation which
honours the work of Dr. Harvey and his group."
- The
teacher explains that the class will be
creating a group story where everyone
must listen to the ideas and suggestions
of the members and not impose his or her
story on the group.
- The
fragment is put on the board.
- The
teachers asks: What do we know? (facts
only) These are written up.
- The
teacher asks groups of 4/5 with craft
paper and felt pens: "What do we
need to know to enrich the story?"
- The
students are allowed 5 questions per group.
Limiting the number ensures that the questions
will be likely to open up the story and
avoid one-word answers. You might find
it useful to let the class decide as a
group what is Mary's age or wait until
later. Allow 5-7mins for this. The questions
are written on the paper provided.
- The
lists are shared, discussed, criticised
until all groups are satisfied! The questions
are placed where all can see them.
- The
teacher then asks: "Who might be
able to answer those questions?"
Names are listed on board. Limit the number
to about 8 names ( e.g. parents, Harvey,
Mary's friends/colleagues). Make it clear
that Mary cannot be questioned as she
did not return.
- The
teacher then asks for 4 volunteers to
take on the role of the people listed.
Assure them that they will be protected.
While the volunteers are deciding whom
they will represent, the class is put
into role as people who are interested
in solving the disappearance of Mary Ellery.
ALL ARE INFORMED THAT IT IS NOW AD2030.
- The
teachers arranges 4 chairs facing out
North, South, East and West. Those to
be interviewed come one at a time and
those awaiting their turn must listen
as they cannot change what previous information
has been revealed.
- The
teacher warns the group that, as it is
10 yrs later, some things may be have
been forgotten. Some may be classified
information, some may be too painful to
reveal - and we must respect those who
have agreed to answer our questions.
- The
teacher usually asks the first question
in a low-key role and then the class takes
over the questions. When all have been
interviewed, the class may ask questions
of whom they wish (one question per person
as the line-ups are often long and all
4 are being questioned at the same time).
It gets a bit noisy here.
- The
group reassembles and shares what new
information they now have.
- From
here you can move in different directions:
Students can bring to the next class an
artifact that might open the case still
further (eg letter, will, object) and
share these before each student writes
his/her account of the mystery. The questions
asked can be recorded and analysed.
- I
often end with the Question: "Why are
some questions difficult to answer?" I
can assure you that some of the questioning
group will be in role while others will
just be themselves in an imaginative situation.
Most will be fully involved and I have
had excellent writing from students. I
have done this using the poem"La Belle
Dame sans Merci"
There
is a detailed account of this strategy, which
is based on the work of Jonothan Neelands,
in Asking Better Questions .
IRINI
MCMASTER
David,
as a teacher of Grade 8 boys at New Town High
I feel that I have a number of suggestions
up my sleeve. I am taking a group of Grade
7 and 8 boys to the Salamanca Readers' &
Writers' Festival as part of Book Week and
our Gifted program. I run a camp for talented
writers every year and invite local authors
to speak. We have had great success with poetry
workshops run by Smokey Robinson and Peter
Jerrim.
One
method I have used for all students with wonderful
success ;
1. Select a topic, theme, object
2. Brainstorm all of the words and phrases
which come to mind
3. Link the words in some way.
Remember Show, don't tell!
I
also think that we underestimate the ability
of some of our brighter students. What about
a formal appreciation of a poem? I recently
did "Stopping by Snowy Woods" by
Robert Frost with grade 7 and 8 classes with
interesting success. Have you seen English
Elements (7-10) by Jacaranda? They have some
excellent units of work full of good questions
which we have found to be very successful
with boys. I'm pretty sure that there is a
drama unit in one of them, there is one on
public speaking. You should also have a look
at some wonderful teaching materials from
South Australia in a resource entitled Texts:
The heart of the English Curriculum.
The resource is for students from Junior Primary
to Grade 10 and is available from Curriculum
Resources Australia. Excellent value!

NORAH
Irini,
Your suggestions for David were helpful, exciting
and of great interest to Grade 8 students
as they will feel that they 'own' their work.
It might help if you gave examples of "
Link the words" in some way. I trust
that I am on the right track when a group
of teachers at a workshop (in the middle of
their summer holiday) were exposed to your
idea for which I gave you and the forum credit.
Our topic was WATER and the results were poems,
articles, stories, dance, and in the case
of a science teacher an experiment. We used
only the words from brainstorming apart from
definite and indefinite articles, prepositions
and conjunctives for coherency. The dance
used only movement suggested by the original
words. Grade 8 would not have used the word
dance but movement. They and I had a great
time!
IRINI
Norah,
thanks for your feedback. I have kept my English
staff up to date with hard copies of many
of the suggestions and comments. I felt it
was another way to get people talking and
thinking even though they are not members
of the forum as yet.
The
poetry method I mentioned has enabled every
student toexperience success. This is no mean
feat in a class where four of the students
are operating at a very low level. I have
used it to inspire a poetic response to a
novel or a character. Often students come
up with a list of adjectives which fit well.
I used this method to get students towrite
poetry for the Dorothea MacKellar poetry competition.
The theme was Heroes and Heroines - I found
that to my surprise and excitement that the
students whom I had not considered to be able
to write brilliant poetry did so and I had
a great deal of trouble only selecting 20
from the school to send.
Thanks
for your response.
NORAH
Irini,
you have made my day!
Just
a word about Role Playing as it relates to
questioning in the English classroom as it
can offer an infinite number of opportunities
to deepen, enrich and extend language experience
by inviting students to explore situations
as if they were someone else. The way in which
senior students interpret a report and question
a standing committee on the environment will
be quite different if they are in role as
environmentalists, as opposed to being in
role as industrialists or as the unemployed
workers. Junior students, given the opportunity
to work in role as parents called into the
school to discuss bullying, will ask different
kinds of questions from those they would ask
as if they were school officials called into
investigate student absenteeism. The work
here is about a task-oriented situation. All
that is required is that the task be done
seriously and responsibly as any professional
would do it. It is this attention to the task
that protects the students from worrying about
what they sound or look like.
Grouping
for Role-Playing:
In role play students can work one-on-one,
one on a small group, a small group on one,
one on the whole group, the whole group on
one, and so on.
For
example, the class is studying the Opening
of the Australian Outback. The whole group
as potential immigrants question the government
land agent (teacher). A reporter (student)
can question the group about why they want
to go to the Outback and what they hope to
find when they get there. In pairs, the one
who has decided to go can be questioned by
one who is still undecided. In small groups
a grandchild can question the elders of the
family about the journey they took so many
years ago.
Some
roles that promote questioning:
The Learner:
questioner wants to know
The
Absentee: questioner is filling in gaps
The Researcher: questioner wants to
find out something specific
The Interviewer: questioner is building
a picture of the one being interviewed
The Policeman: questioner is looking
for facts; questions are direct
The Detective: questioner is looking
for clues; questions are indirect and divergent
as incongruencies are sought out.
The Devil's Advocate: questioner is
challenging the argument, statements or the
story by taking the opposite point of view.
Hope
this helps a bit for those who have not been
involved in Drama.
IAN
JOHNSTON
Sort
of an extension of the role playing idea -
Set
up an interview/conversation situation between
two people (characters from book, parent/teacher,
real life situations, whataver) and behind
each of the characters have a second person
who acts as their "thought bubble". As the
interview proceeds these 'thoughts' are aired
- often highlighting the differences between
what people say and what they think. Can be
great fun where there is tension between the
characters but social graces prevent them
from saying what they really think. Imagine
the "thoughts" an industrialist might have
as she/he interviews a conservationist! A
great way of exploring issues beyond the superficial
and still have fun!
NORAH
Ian,
what a splendid idea. It certainly goes beyond
the superficial and might make students think
how to ask the questions to avoid banality.
I shall certainly try this out.
As
the Questioning Forum is about to end, Charles
has suggested that I sum up the experience.
I can only do it for myself so:
It
has been a most informative experience where
I have learned a lot from contributers and
enjoyed sharing my own experiences with others.
We 'talked' about :Teacher Questions and the
need to model productive ones; giving students
time to think about the question time to formulate
an answer and to speak the answer. It was
also revealed how we often forget to give
students time to think about the answers of
their peers. Emphasis has also been placed
on the importance of listening by both teachers
and students. We exchanged ideas about promoting
student questions and many different strategies
were shared to promote discourse in the classroom
by both experienced teachers and teachers-in-training.
There are still lots of ideas out there and
I trust that we can still keep in touch if
we have something vital to share. I would
truly like to hear from anyone of you who
has something to share at: nmorgan@dewey.ed.brocku.ca
I
assure you that I learned as much from this
experience as I shared, if not more!
I have some questions we should from time
to time ask ourselves:
- Am
I demanding enough of my students?
- Am
I still demanding enough of myself?
- Am
I pulling out old material without adapting
it to the needs of the
- present
students?
- What
strategies and techniques have I used
in the last month?
- Am
I over using them?
- Do
I ask questions for which I do not know
the answer in order to draw answers from
the students' experiences and interests?
- Do
I encourage students to ask questions
of me and admit if I do not know the answer?
- Do
I accept student answers that are not
what I wanted to hear even though I suspect
that the answers will open up the discussion?
- Am
I only concerned with covering the curriculum
instead of uncovering it where the students
bring their knowledge and experience to
the topic?
(Taken
from Convocation address, 'Taking Risks' June
7, 1999 by Norah Morgan)
Thank
you all!!
CHARLES
MORGAN
Norah
has just sent her final message to the forum.
She finishes by posing a number of questions
that we, as teachers, should ask ourselves
from time to time. I think these questions
are fundamental to our work as teachers and
well worth exploring at an English staff meeting.
I
would like to thank Norah for leading such
a dynamic discussion and thank forum members
for their wonderful contributions. I am more
enthusiastic than ever about the potential
of the internet as a vehicle to support professional
discourse and professional learning. I have
asked Norah to stay enrolled as a member of
the forum and to respond to discussion about
questioning as it arises. Therefore, please
feel free to share experiences, ask questions
and discuss concerns. I have plans in mind
to involve Norah formally again in the future!
May
I finish by saying how privileged I feel to
be a member of such a committed, professional
community of learners.