What
is an issues approach?
Although studying
an issue in English lessons is not a new idea, recent planning
frameworks have provided teachers with ways of structuring
and focusing work sequences to present students with connected
learning experiences that offer more coherence than previous thematic
approaches.
The issues
approach is very similar to an integrated
approach to learning. The distinction has been made to demonstrate
that this is very much an English approach - while it may use
aspects of the curriculum from other learning areas - the intention
is to explore issues through texts and language.
Issues might
be explored
- through
one text type such as contemporary novels, poems, short stories,
newspaper articles or television dramas.
- through
a variety of text types
A richer picture
often develops from the use of a range of text types and views
about the issue.
Students also
think about how they might feel in situations presented in texts
and how people of different ages, races, social groups and/or
genders might respond if they find themselves in those situations.
As they reflect, discuss and consider possible causes and solutions
to issues in texts, students clarify and sometimes modify their
own attitudes and values.
After they
make connections with their own experience and investigate the
issue from other points of view, students respond by creating
a text of their own. This might be a discursive piece or a creative
response. It might be a written, spoken or visual text. It should
be shared with a specific audience - usually the whole class -
so that the author might gain feed back about his/her representation
of the issue under investigation.
What
does an issues work sequence look like?
An issues
approach using narrative texts might look something like this:
In a primary
class, students explore aspects of isolation as they are shown
in picture books. Sometimes in small groups and sometimes as a
class, they read, view and discuss books such as
- This
Is Our House by Michael Rosen and Bob Graham (1996) Walker
Books
- The
Race by Christobel Mattingley and Anne Spudvilas (1995)
Scholastic
- The
Rainbow Fish by Marcus Pfister (1992) North-South Books
- Felix
and Alexander by Terry Denton (1985) Oxford University Press
- Way
Home by Libby Hathorn and Greg Rogers (1994) Random House
might be suitable for use with upper primary students.
As they engage
with the texts students consider the feelings that they evoke.
They discuss the linguistic structures and features that authors
and illustrators have used to create these feelings. They notice,
for instance, that the use of dark, gloomy colours and menacing
shadows in Way Home reveals the boys sense of fear
and alienation from his environment. They compare this with the
ways in which illustrators use colour in the other texts they
have selected.
After reading
The Race students might
- reconsider
their attitudes towards people who are deaf.
- consider
the points of view of other people in the book using questions
like:
Why do
you think the first teacher didnt notice that the boy was
deaf?
Are there
other groups or individuals who might feel isolated at school?
Why? In what ways might we make them feel included?
After they
have drawn some conclusions as a class about possible ways of
depicting isolation through visual, written and spoken modes,
students set about creating a text of their own. There are several
choices at this stage; teachers might allow students to
- create
picture books which explore similar feelings or even completely
different feelings such as acceptance, inclusion
- recreate
the feelings of isolation from a particular text using role
play, mime or movement.
- collect,
compose, perform and/or record music which suggests isolation
and complements one of the texts.

Which
topics are suited to an issues approach in English?
The table
below includes suggestions for issues that provide rich concepts
for student study.
| Adaptation
|
Feelings
& emotions |
Power
& control |
| Behaviour
|
Freedom
- slavery |
Relationships
|
| Beliefs
& values |
Gender
equity |
Revolution
|
| Cause
& effect |
Human
rights |
Rites
of passage |
| Change
|
Imagining
& constructing the future |
Ritual
|
| Conflict
& cooperation |
Individual
potential |
Similarities
& differences |
| Conservation
- exploitation |
Individuals
& groups |
Social
justice |
| Creativity
|
Interaction
|
Spirituality
|
| Culture
|
Interdependence
|
Survival
|
| Customs
& rituals |
Justice
- injustice |
Tradition
|
| Development
- sustainability |
Perception
|
Transitions
|
| Diversity
|
Personal
safety |
Wealth
& poverty |
Adapted
from Murdoch and Hornsby 1998.
Classroom
practice suggests that it is best to reduce one of the very general
concepts to a particular statement or question. This creates a
more manageable focus for students to engage with. Jenni Connor
talks about creating work sequences around tension points.
Thus relationships
might be the stimulus for students investigating
- relationships
between parents and their children
- or relationships
between teenage boys and girls
- or relationships
between young children and elderly people
In each case
a particular focus or tension point is developed. Students
might consider:
- Who
has the power? In which circumstances?
- In what
ways might communication be improved?
- In what
ways might each group support the other?
Then a coherent
work sequence is structured in which students develop, extend,
and clarify their understandings about the issue.
Possible
topics for students in Years 5-8 (Band B)
Here are some
examples of some of the ways in which teachers might develop issues
approaches in English for students in years 5 to 8:
A
CRITICAL STUDY OF FAMILY LIFE
ISSUE:
- In what
ways are families depicted in contemporary visual texts?
- Are these
the ways in which our own families operate?
TEXTS:
- TV commercials
showing family situations.
- The Simpsons.
- TV situation
comedies include examples of Australian, British and
American if possible.
- Selected
exerpts from Round the Twist showing family relationships.
- Selected
exerpts from videos in The Winners series especially
ones such as The Paper Boy which are set in earlier times.
LEARNING
INTENTIONS:
- To explore
the ways in which family roles, especially in relation to gender,
are depicted in the media.
- To provide
a context to examine the structures and features of visual texts.
- To show
students stereotypical and simplistic portrayals of people in
the media.
- To allow
students to create their own alternative constructions of families
in a visual medium by creating role plays, advertisements, original
scripts, videos, story boards etc.
Ideas about
heroism form a very rich context for student exploration. There
are many possibilities:
HEROES
AND VILLAINS
ISSUE:
To investigate
the ways in which heroes, heroines and villains are constructed
in contemporary versions of traditional tales of good versus evil.
TEXTS:
Extracts from
videos such as:
- The
Princess Bride
- Beauty
and the Beast - Disney version
- Star
Wars
- Merlin
the version starring Sam Neill
LEARNING
INTENTIONS:
- To reveal
stereotypical and simplistic portrayals of people in contemporary
visual texts.
- To consider
ways in which people interpret concepts of heroism, especially
in relation to female roles.
- To provide
a context to examine some of the linguistic structures and features
of visual texts.
- To allow
students to create their own alternative constructions of heroes,
heroines and villains in a visual medium by creating role plays,
advertisements, original scripts, videos, story boards etc.
Notes:
- A comparison
of the representations of heroes, heroines and villains in several
Disney films might be interesting for younger students.
- This work
sequence could be broadened to include poems, stories and non-fiction
works.
HEROES,
VILLAINS OR VICTIMS
ISSUE:
An examination
of the different portrayals of famous people such as Princess
Diana, Marilyn Monroe, Elvis Presley, Pauline Hanson, John Howard
and others.
TEXTS:
- Newspapers,
magazines, news reports and current affairs shows if available.
- Biographies
- Videos
LEARNING
INTENTIONS:
- To consider
alternative portrayals of famous people and the reasons why
they have been represented in particular ways by some groups
of people.
- For students
to clarify their own attitudes and values about issues presented
in the popular press.
- To provide
a context in which to study the linguistic structures and features
of media and biographical texts.
- To allow
students to reconstruct their own interpretation of a famous
person as a hero, villain or even as a victim of the media.
A possible
topic for students in Years 10 and 11 (Bands C/D)
This work
sequence was planned for English students studying year 11B. It
would also work in year 10. Teachers might need to make careful
selections of novels for year 10 students some of those
listed contain adult themes and use of language.
MOVING
OUT
ISSUE:
A study of
contemporary novels in which teenagers leave their homes to seek
new lives.
Issues include
- coping
with alienation and isolation from family and friends
- forming
and maintaining relationships
- gaining
maturity and assuming responsibility for ones own actions
- gaining
independence and an understanding of the sense of self.
TEXTS:
(Listed in
approximate order of difficulty.)
- Victor
Kelleher Slow Burn (1997) Viking
- Maureen
McCarthy Cross My Heart
- David Metzenthen
Johnny Harts Heroes (1996) Puffin
- Margaret
Clark Back on Track: Diary of a Street Kid
- Brigid
Lowry Guitar Highway Rose (1997) Allen & Unwin
- Steve Tolbert
Settling South
LEARNING
INTENTIONS:
For students
to
- engage
with one of the texts in detail to explore themes, setting,
characterisation, linguistic structures and features and contextual
understanding in reflective journal writing.
- present
their understandings about their chosen text to the rest of
the class.
- consider
the issues as they are portrayed in the range of texts.
- consider
and clarify their own attitudes and values.
- write short
stories called Moving Out which present their views
about teenagers leaving home.

How
is an issues work sequence planned?
To explore
an issue in a coherent way a sequential framework is required.
Teachers choose according to the type of unit and the learning
outcomes they intend students to reach. Detailed explanations
of
are provided
on this site:
Examples
of work sequences
Work sequences
which develop an issues approach to English and follow the frameworks
listed above include:
- Whose
News? - a study of television news designed with grade 7
students in mind
- Is
it a Good News Week? - a study of news media designed with
grade 8 students in mind
- Pictures
of the Bush - a study of spoken, visual and written texts
depicting the Australian bush and the myths that surround it
designed with students in grade 7 and 8 in mind.